Archive for the ‘Funk’ Category


Sep 05

If you look at my last article,superimposing arpeggios” you’ll read how it is possible to superimpose a different arpeggio of a chord from the same parent scale over the chord that you are improvising on. In this lesson I am going to take it one step further and combine it with another of my previous articles “Jazz Up Your Blues Progressions”, in which I describe how to add a jazz flavor to your blues progressions by adding different chord substitutions throughout the sequence. Continue reading »

Sep 04

When playing over a particular chord how many different arpeggios would you consider using? Over any chord you can superimpose a large number of different arpeggios which can give you greater harmonic choices. In this lesson I am going to look at one approach of doing this. By having a parent scale in mind (ie playing in a specific key) whether it’s for one chord, a chord sequence or for a whole piece of music, I’m going to show how to determine all the different arpeggios that are available to play over each chord in that key. Continue reading »

Aug 02

When we think of great bass players we only mention the players of the male persuasion. There are many great female bassist who have carved their path into music history. With this interview I like introduce one of those female greats.
Ladies and gentlemen ………. Madame Double Z Continue reading »

Jun 15

Hey, in this lesson we’re going to be looking at some lead guitar funk style! The idea here is to accompany the rhythm section and your fellow guitar player with some well chosen melodic, single note lines that compliment the overall feel and groove of the song. This technique, commonly called “popping” Continue reading »

May 31

Hey, in this lesson we’re going to be looking at some of the fundamental basics of funk guitar that are often over looked when approaching this genre. A mistake that many guitar players make when laying down a funk groove Continue reading »

Apr 24

In this article, I’m expanding on my previous piece, “Why I-IV-V Works, And Works So Well.” I’ll be adding 7ths to the chords and starting to talk about harmony a little more. Continue reading »