<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress/2.2" -->
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	>

<channel>
	<title>IntellectualMusician.com &#187; Caleb Raney</title>
	<link>http://intellectualmusician.com</link>
	<description>-Where Musicians Come To Think</description>
	<pubDate>Fri, 07 Dec 2007 12:33:03 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.2</generator>
	<language>en</language>
			<item>
		<title>Chord Melody 101.  Part One of Two.</title>
		<link>http://intellectualmusician.com/craney/chord-melody-101-part-one-of-two</link>
		<comments>http://intellectualmusician.com/craney/chord-melody-101-part-one-of-two#comments</comments>
		<pubDate>Sat, 18 Aug 2007 17:54:48 +0000</pubDate>
		<dc:creator>Caleb Raney</dc:creator>
		
		<category><![CDATA[Chords]]></category>

		<category><![CDATA[Guitar]]></category>

		<category><![CDATA[Arranging]]></category>

		<category><![CDATA[Articles]]></category>

	<!-- AutoMeta Start -->
	<category>omitted</category>
	<!-- AutoMeta End -->
	
		<guid isPermaLink="false">http://intellectualmusician.com/craney/chord-melody-101-part-one-of-two</guid>
		<description><![CDATA[Some basic skills in arranging jazz standards for solo playing are a great addition to a jazz guitarist&#8217;s abilities for several reasons:
1. With a large enough rep or enough skill to arrange tunes on the fly you can stop splitting up the money from all those &#8220;music to be ignored by gigs&#8221; that we all [...]]]></description>
			<content:encoded><![CDATA[<p>Some basic skills in arranging jazz standards for solo playing are a great addition to a jazz guitarist&#8217;s abilities for several reasons:</p>
<p>1. With a large enough rep or enough skill to arrange tunes on the fly you can stop splitting up the money from all those &#8220;music to be ignored by gigs&#8221; that we all love so much. <a href="http://intellectualmusician.com/craney/chord-melody-101-part-one-of-two#more-651" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://intellectualmusician.com/craney/chord-melody-101-part-one-of-two/feed</wfw:commentRss>
		</item>
		<item>
		<title>Modes De-Mystified</title>
		<link>http://intellectualmusician.com/craney/modes-de-mystified</link>
		<comments>http://intellectualmusician.com/craney/modes-de-mystified#comments</comments>
		<pubDate>Thu, 17 May 2007 18:51:52 +0000</pubDate>
		<dc:creator>Caleb Raney</dc:creator>
		
		<category><![CDATA[Improvisation]]></category>

		<category><![CDATA[Intermediate]]></category>

		<category><![CDATA[Theory]]></category>

	<!-- AutoMeta Start -->
	<category></category>
	<!-- AutoMeta End -->
	
		<guid isPermaLink="false">http://intellectualmusician.com/craney/modes-de-mystified</guid>
		<description><![CDATA[I’m sure a lot of you out there who are just getting into jazz have heard about modes. And if your experience was anything like mine what you’ve heard is very difficult to understand gibberish. Today we’re going to take a look at modes and why they work in a rather easy to understand way.
]]></description>
			<content:encoded><![CDATA[<p>I’m sure a lot of you out there who are just getting into jazz have heard about modes. And if your experience was anything like mine what you’ve heard is very difficult to understand gibberish. Today we’re going to take a look at modes and why they work in a rather easy to understand way. <a href="http://intellectualmusician.com/craney/modes-de-mystified#more-153" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://intellectualmusician.com/craney/modes-de-mystified/feed</wfw:commentRss>
		</item>
	</channel>
</rss>
