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	<title>IntellectualMusician.com &#187; Brien Henderson</title>
	<link>http://intellectualmusician.com</link>
	<description>-Where Musicians Come To Think</description>
	<pubDate>Fri, 07 Dec 2007 12:33:03 +0000</pubDate>
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	<language>en</language>
			<item>
		<title>Anatomy of the Blues Scale</title>
		<link>http://intellectualmusician.com/bhenderson/anatomy-of-the-blues-scale</link>
		<comments>http://intellectualmusician.com/bhenderson/anatomy-of-the-blues-scale#comments</comments>
		<pubDate>Tue, 17 Jul 2007 21:45:29 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Beginner]]></category>

		<category><![CDATA[Theory]]></category>

		<category><![CDATA[Intermediate]]></category>

		<category><![CDATA[Improvisation]]></category>

		<category><![CDATA[Horns]]></category>

		<category><![CDATA[Solo]]></category>

		<category><![CDATA[Guitar]]></category>

		<category><![CDATA[Skill Level]]></category>

		<category><![CDATA[Styles]]></category>

		<category><![CDATA[Blues]]></category>

		<category><![CDATA[Jazz]]></category>

		<category><![CDATA[Articles]]></category>

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	<category>sharp</category>
	<category>blues</category>
	<category>dissonances</category>
	<category>chromatic</category>
	<category>9ths</category>
	<category>tone</category>
	<category>passing</category>
	<category>flat</category>
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		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/anatomy-of-the-blues-scale</guid>
		<description><![CDATA[The blues scale was the first thing they taught me when I got into jazz band in high school. It’s a simple scale to learn, and all the tones sound good over blues changes. The advantage of knowing it
]]></description>
			<content:encoded><![CDATA[<p>The blues scale was the first thing they taught me when I got into jazz band in high school. It’s a simple scale to learn, and all the tones sound good over blues changes. The advantage of knowing it <a href="http://intellectualmusician.com/bhenderson/anatomy-of-the-blues-scale#more-533" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>A Great Site for Old Music</title>
		<link>http://intellectualmusician.com/bhenderson/a-great-site-for-old-music</link>
		<comments>http://intellectualmusician.com/bhenderson/a-great-site-for-old-music#comments</comments>
		<pubDate>Thu, 28 Jun 2007 08:14:18 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[Classical]]></category>

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	<category>library</category>
	<category>score</category>
	<category>publis</category>
	<category>2006</category>
	<category>february</category>
	<category>domain</category>
	<category>international</category>
	<category>project</category>
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		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/a-great-site-for-old-music</guid>
		<description><![CDATA[
And I&#8217;m talking really old here, kids. I just found it, and I can&#8217;t believe they&#8217;ve been online since February, 2006 and I never heard about it.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://intellectualmusician.com/wp-content/uploads/2007/06/bach.jpg" title="bach.jpg" rel="lightbox"><img src="http://intellectualmusician.com/wp-content/uploads/2007/06/bach.thumbnail.jpg" title="bach.jpg" alt="bach.jpg" align="left" hspace="8" vspace="8" /></a><br />
And I&#8217;m talking really old here, kids. I just found it, and I can&#8217;t believe they&#8217;ve been online since February, 2006 and I never heard about it.  <a href="http://intellectualmusician.com/bhenderson/a-great-site-for-old-music#more-368" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Every Musician Should Read This</title>
		<link>http://intellectualmusician.com/bhenderson/every-musician-should-read-this</link>
		<comments>http://intellectualmusician.com/bhenderson/every-musician-should-read-this#comments</comments>
		<pubDate>Mon, 25 Jun 2007 19:03:06 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Reviews]]></category>

	<!-- AutoMeta Start -->
	<category>sale</category>
	<category>rewards</category>
	<category>life</category>
	<category>helped</category>
	<category>payments</category>
	<category>receive</category>
	<category>daily</category>
	<category>write</category>
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		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/every-musician-should-read-this</guid>
		<description><![CDATA[
Effortless Mastery by Kenny Werner addresses an often-neglected area of musical study: your mental well-being as a musician and as a person. Namely, Werner focuses on the ego and how it often keeps us from becoming the masterful musicians we can be.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/gp/redirect.html%3FASIN=156224003X%26tag=intellectu087-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/156224003X%253FSubscriptionId=1N9AHEAQ2F6SVD97BE02"><img src="http://intellectualmusician.com/wp-content/uploads/2007/06/effortless.thumbnail.jpg" title="effortless.jpg" alt="effortless.jpg" align="left" hspace="8" vspace="8" /></a><br />
<em>Effortless Mastery</em> by Kenny Werner addresses an often-neglected area of musical study: your mental well-being as a musician and as a person. Namely, Werner focuses on the ego and how it often keeps us from becoming the masterful musicians we can be. <a href="http://intellectualmusician.com/bhenderson/every-musician-should-read-this#more-358" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Saxes: Work Your Pinkies!, part 1</title>
		<link>http://intellectualmusician.com/bhenderson/saxes-work-your-pinkies-part-1</link>
		<comments>http://intellectualmusician.com/bhenderson/saxes-work-your-pinkies-part-1#comments</comments>
		<pubDate>Wed, 06 Jun 2007 16:59:46 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Horns]]></category>

		<category><![CDATA[Articles]]></category>

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	<category>pinky</category>
	<category>pressure</category>
	<category>curved</category>
	<category>transition</category>
	<category>shape</category>
	<category>pinkies</category>
	<category>phalanges</category>
	<category>involves</category>
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		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/saxes-work-your-pinkies-part-1</guid>
		<description><![CDATA[One of the best things a sax player can do to improve the overall command of their instrument is play with rock or blues bands. This is because most rock or blues bands are basically guitar-driven, and most guitar players like to play in keys like E, A, and C
]]></description>
			<content:encoded><![CDATA[<p>One of the best things a sax player can do to improve the overall command of their instrument is play with rock or blues bands. This is because most rock or blues bands are basically guitar-driven, and most guitar players like to play in keys like E, A, and C  <a href="http://intellectualmusician.com/bhenderson/saxes-work-your-pinkies-part-1#more-292" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Spice Things Up With The Tritone Sub</title>
		<link>http://intellectualmusician.com/bhenderson/spice-things-up-with-the-tritone-sub</link>
		<comments>http://intellectualmusician.com/bhenderson/spice-things-up-with-the-tritone-sub#comments</comments>
		<pubDate>Thu, 31 May 2007 21:47:45 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Intermediate]]></category>

		<category><![CDATA[Improvisation]]></category>

		<category><![CDATA[Theory]]></category>

		<category><![CDATA[Jazz]]></category>

		<category><![CDATA[Composition]]></category>

		<category><![CDATA[Arranging]]></category>

		<category><![CDATA[Articles]]></category>

	<!-- AutoMeta Start -->
	<category>tritone</category>
	<category>substitution</category>
	<category>subs</category>
	<category>“tritone</category>
	<category>chromatic</category>
	<category>smoother</category>
	<category>arranging</category>
	<category>resolve</category>
	<!-- AutoMeta End -->
	
		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/spice-things-up-with-the-tritone-sub</guid>
		<description><![CDATA[Using substitute chords is a common practice that spices up chord changes and often makes melodies sound more “modern.” The most common chord substitution you see is the tritone sub.
]]></description>
			<content:encoded><![CDATA[<p>Using substitute chords is a common practice that spices up chord changes and often makes melodies sound more “modern.” The most common chord substitution you see is the tritone sub. <a href="http://intellectualmusician.com/bhenderson/spice-things-up-with-the-tritone-sub#more-263" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Writing Your Own Music: How To Get Started</title>
		<link>http://intellectualmusician.com/bhenderson/writing-your-own-music-how-to-get-started</link>
		<comments>http://intellectualmusician.com/bhenderson/writing-your-own-music-how-to-get-started#comments</comments>
		<pubDate>Sun, 06 May 2007 18:41:49 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Composition]]></category>

		<category><![CDATA[Articles]]></category>

	<!-- AutoMeta Start -->
	<category>emotional</category>
	<!-- AutoMeta End -->
	
		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/writing-your-own-music-how-to-get-started</guid>
		<description><![CDATA[How do you start writing your own music? It’s a pretty big question with many answers, any one of them just as valid as another. I’ll try to give you some ideas as to how to go about creating your own music, and hopefully stimulate some ideas in you.
]]></description>
			<content:encoded><![CDATA[<p>How do you start writing your own music? It’s a pretty big question with many answers, any one of them just as valid as another. I’ll try to give you some ideas as to how to go about creating your own music, and hopefully stimulate some ideas in you. <a href="http://intellectualmusician.com/bhenderson/writing-your-own-music-how-to-get-started#more-169" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Intro to chords in Jazz</title>
		<link>http://intellectualmusician.com/bhenderson/intro-to-chords-in-jazz</link>
		<comments>http://intellectualmusician.com/bhenderson/intro-to-chords-in-jazz#comments</comments>
		<pubDate>Sat, 28 Apr 2007 22:12:13 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Improvisation]]></category>

		<category><![CDATA[Piano]]></category>

		<category><![CDATA[Horns]]></category>

		<category><![CDATA[Theory]]></category>

		<category><![CDATA[Chords]]></category>

		<category><![CDATA[Styles]]></category>

		<category><![CDATA[Jazz]]></category>

		<category><![CDATA[Guitar]]></category>

		<category><![CDATA[Articles]]></category>

	<!-- AutoMeta Start -->
	<category>belong</category>
	<category>jazz</category>
	<category>tones</category>
	<category>dominant</category>
	<category>outlined</category>
	<category>minor</category>
	<category>major</category>
	<category>scale</category>
	<!-- AutoMeta End -->
	
		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/intro-to-chords-in-jazz</guid>
		<description><![CDATA[Whether you’re a classically trained player looking to branch out into jazz, a budding jazz player looking for more explanation on how to solo over changes, or a rhythm section player starting to approach jazz
]]></description>
			<content:encoded><![CDATA[<p>Whether you’re a classically trained player looking to branch out into jazz, a budding jazz player looking for more explanation on how to solo over changes, or a rhythm section player starting to approach jazz <a href="http://intellectualmusician.com/bhenderson/intro-to-chords-in-jazz#more-128" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Subdivide. It Pays Off</title>
		<link>http://intellectualmusician.com/bhenderson/subdivide-it-pays-off</link>
		<comments>http://intellectualmusician.com/bhenderson/subdivide-it-pays-off#comments</comments>
		<pubDate>Thu, 26 Apr 2007 05:21:34 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Rhythm]]></category>

		<category><![CDATA[Styles]]></category>

		<category><![CDATA[Articles]]></category>

	<!-- AutoMeta Start -->
	<category></category>
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		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/subdivide-it-pays-off</guid>
		<description><![CDATA[Rhythm is the most neglected area of musical study in Western musical practice. I know that may seem like a bold claim, but in my experience it rings true. Most players are so consumed with the notes that they forsake the rhythm.
]]></description>
			<content:encoded><![CDATA[<p>Rhythm is the most neglected area of musical study in Western musical practice. I know that may seem like a bold claim, but in my experience it rings true. Most players are so consumed with the notes that they forsake the rhythm.  <a href="http://intellectualmusician.com/bhenderson/subdivide-it-pays-off#more-122" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<item>
		<title>I-IV-V Harmony, part 2</title>
		<link>http://intellectualmusician.com/bhenderson/i-iv-v-harmony-part-2</link>
		<comments>http://intellectualmusician.com/bhenderson/i-iv-v-harmony-part-2#comments</comments>
		<pubDate>Tue, 24 Apr 2007 16:28:55 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Chords]]></category>

		<category><![CDATA[Theory]]></category>

		<category><![CDATA[Improvisation]]></category>

		<category><![CDATA[Classical]]></category>

		<category><![CDATA[Guitar]]></category>

		<category><![CDATA[Blues]]></category>

		<category><![CDATA[Composition]]></category>

		<category><![CDATA[Styles]]></category>

		<category><![CDATA[Funk]]></category>

		<category><![CDATA[Articles]]></category>

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	<category>dominant</category>
	<category>tonic</category>
	<category>classical</category>
	<category>tension</category>
	<category>numerals</category>
	<category>pull</category>
	<category>tritone</category>
	<category>harmony</category>
	<!-- AutoMeta End -->
	
		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/i-iv-v-harmony-part-2</guid>
		<description><![CDATA[In this article, I’m expanding on my previous piece, “Why I-IV-V Works, And Works So Well.” I’ll be adding 7ths to the chords and starting to talk about harmony a little more.
]]></description>
			<content:encoded><![CDATA[<p>In this article, I’m expanding on my previous piece, “Why I-IV-V Works, And Works So Well.” I’ll be adding 7ths to the chords and starting to talk about harmony a little more. <a href="http://intellectualmusician.com/bhenderson/i-iv-v-harmony-part-2#more-110" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Take ownership of the tempo!</title>
		<link>http://intellectualmusician.com/bhenderson/take-ownership-of-the-tempo</link>
		<comments>http://intellectualmusician.com/bhenderson/take-ownership-of-the-tempo#comments</comments>
		<pubDate>Tue, 24 Apr 2007 00:58:09 +0000</pubDate>
		<dc:creator>Brien Henderson</dc:creator>
		
		<category><![CDATA[Rhythm]]></category>

		<category><![CDATA[Articles]]></category>

	<!-- AutoMeta Start -->
	<category>drummer</category>
	<category>exerts</category>
	<category>influence</category>
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	<category>band</category>
	<category>played</category>
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		<guid isPermaLink="false">http://intellectualmusician.com/bhenderson/take-ownership-of-the-tempo</guid>
		<description><![CDATA[Everyone knows the drummer keeps the time in a band, right? Or in an orchestra, the conductor leads the tempo with his/her baton? What about in a string quartet? Who controls the tempo there?
]]></description>
			<content:encoded><![CDATA[<p>Everyone knows the drummer keeps the time in a band, right? Or in an orchestra, the conductor leads the tempo with his/her baton? What about in a string quartet? Who controls the tempo there?  <a href="http://intellectualmusician.com/bhenderson/take-ownership-of-the-tempo#more-99" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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