IntellectualMusician.com

Every guitarist wants to have the best tone. In fact we all work so hard on perfecting our technique and our style that sometimes the most important part of the equasion is forgotten. Your guitar of course. Continue reading »

If you look at my last article, “superimposing arpeggios” you’ll read how it is possible to superimpose a different arpeggio of a chord from the same parent scale over the chord that you are improvising on. In this lesson I am going to take it one step further and combine it with another of my previous articles “Jazz Up Your Blues Progressions”, in which I describe how to add a jazz flavor to your blues progressions by adding different chord substitutions throughout the sequence. Continue reading »

When playing over a particular chord how many different arpeggios would you consider using? Over any chord you can superimpose a large number of different arpeggios which can give you greater harmonic choices. In this lesson I am going to look at one approach of doing this. By having a parent scale in mind (ie playing in a specific key) whether it’s for one chord, a chord sequence or for a whole piece of music, I’m going to show how to determine all the different arpeggios that are available to play over each chord in that key. Continue reading »